Film Review: Lincoln
Stephen Spielberg and company might have taken Mark Twain’s advice when embarking upon the ambitious Tony Kushner script, which was “Never let the facts get in the way of a good story.”
“Lincoln” is a must-see biography of the revered 16th president of the United States, predominantly focused on the month of January 1865, when the outcome of the Civil War was fairly well decided but the issue of the country ever being united was not. As the author of a script about a historically riveting figure who was a contemporary of Lincoln’s, Frederick Douglass, I agonized over two points of screenwriting that apparently Kushner did, too. 1.) How much historical fact do you leave in, and 2) how much do you leave out?
The film succeeds in painting Lincoln as a common man with common sensibilities who is thrust into the most dire of conflicts. His penchant for telling stories, parables if you will, at seemingly inappropriate moments adds brightness to a storyline that is sometimes weighted down by the history of it all. Just as I struggled to fit Douglass’ most memorable words into my script, leaving many in the digital recycle bin, I sensed Spielberg’s fear of omitting some of the speech monologue that defined Lincoln’s lasting role in history. His Second Inaugural Address, counted by some as Lincoln’s greatest speech, is awkwardly tacked on the end as a post-mortem. I didn’t spoil the end for anyone, did I?
Spielberg deftly depicts President Lincoln as a man who is not too proud to consult with staffers, servants and generals. My favorite scene is one where Lincoln asks his young telegraph officers if they believe people choose when to be born, and whether they are born to fit a specific time in history. It shows Lincoln’s ability to respect all opinions on important manners, as well as his determination to reach outside of his office to make others feel worthy.
The film is buoyed by some tremendous performances. If there was ever an All-Time Academy Award given for an acting performance, this film might have earned that for … hold on to your stovepipe hat for a second… Sally Field. Her brave, gut-wrenching performance of Mary Todd Lincoln was as moving and solid as any I’ve ever seen. Daniel Day-Lewis delivers a stellar performance as Lincoln, although I could swear I heard a bit o’en Irish brogue overtake his country lawyer dialect in a few places. The tension between Lincoln (Day-Lewis) and William Seward (David Strathairn), was perfect, as the Secretary of State was known for trying to bully Lincoln in the belief that he should have been the commander in chief.
Day-Lewis succeeds in portraying a battle-worn man, and whether Lincoln suffered from Marfan Syndrome, as conjectured, or not, the image of Lincoln trudging through the White House is one that will linger with vewers.
I highly recommend “Lincoln,” with a slight reservation. You may want to bone up on your 1865 Congressional history before you buy your popcorn.