Character Notes, A&E – Fr. Francis Vindicare
Last Saturday, I heard an NPR interview with an Irish author, who quoted E.L. Doctorow on writing a novel:
“It’s like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.”
At the start, I loosely outlined Angels & Enemies. I also started writing before I finished the outline. The structure of A&E is a bit unique because, in my mind, I viewed this as a mini-series featuring Twilight-Zone-style vignettes, each featuring its own plot and a twist at the end. I ran into a snag with Episode 1 when I presented the plane crash scene to the Denver Writers’ Group. I was new to the group, and they still refer to that critique as “Kerry’s bloodletting.” One of the guys there, Kevin Cullis, had been an Air Force pilot for 13 years, and pointed out some flaws in my narrative. I thought I had researched it well, interviewing a few pilots, but Kevin helped me out tremendously with his point of view. Instead of belaboring the crash rewrite, I moved on to Episode 2 – The Sally Ramirez Story.
We first see Fr. Francis when the Jesuit says a funeral Mass. An incident occurs, and he is as confused by it as the other witnesses. He consoles Sally Ramirez after, having no clue how much Sally would change his life. As his creator, I had no idea, either.
Later, I realized it would be necessary to perform an exorcism. In college at St. Bonaventure University, I met a Franciscan Friar who was also a native of Rochester, N.Y., Alphonsus Trabold, O.F.M., who was a Vatican-sanctioned exorcist. Regrettably, I never took his “Spooks & Specters” class, although I heard many stories about Trabold from those who did. The internet is a wonderful thing, and I was able to locate some of his exorcism notes and the prayers he used, a handful of articles about him and even a descriptive of his personal effects that were archived after his death. I wanted to base my exorcist on Fr. Trabold.
My initial vision of the book contained very little religion. I did not want to introduce a busload of priests to muck up a rollicking good time with a dozen or more evil demons. I wanted only one. Well, perhaps two. With a few bishops and archbishops in the bleacher seats. Since I had already introduced Fr. Francis, I decided that he would be my Trabold.
This minor character took on a different light. His confusion over the event at the funeral evolved into his way of diminishing panic among the congregation, for in his past, he had been face to face with evil many times. More importantly, he had been defeated by evil. When demons, the enemy of his faith, come to roost in his back yard, he is compelled to action by what he knows. He is reluctant, but not fearful. One of the key messages of the novel is that fear is the greatest tool of the devil.
In some ways, I made light of Francis’ weaknesses. He is a sucker for his greatest temptation: the cookies in the sacristy kitchen. Like St. Joseph and many others, Fr. Francis is motivated by a dream. He faces his reservations in a public way, and is spied by a little girl who asks why he is crying. Without spoiling the story, his reaction is one that turns what would ordinarily be perceived as a weakness into a powerful display of his greatest strength. It is probably my favorite scene to read, as it is touching, packed with emotion, tempered with natural beauty and with humor. The little girl confirms the priests convictions in a surprising way, and look out, Lucifer! There’s a new sheriff in town.
Fr. Francis will likely be remembered in Angels & Enemies for doing something that only two other mortals have achieved. Yes, that is dramatic, because Fr. Francis is an overachiever. I hope that what lives on in the mind of the reader is Fr. Francis’ eloquent definition of the soul, of its corruptibility, and why it is sought by the powers that rule heaven and hell.
That is the cornerstone of this novel about spiritual warfare as it exists in the present-day world, just as it has existed throughout recorded time. I think Fr. Francis, the minor throwaway-character-turned-protagonist, conveys that the fight is not merely one that is fought between the supernatural forces of angels and demons, but one that is fought within each of us, daily.
This week, I have sent pitch letters to three more agents in the hopes of getting Angels & Enemies published. I have no fear that it will be ignored for long. In fact, I think I’ll have a cookie.